| Peculiar and unlikely slippages
between the sanctity of the scientific space and the domestic space
underlie this work. Sterility and practices of containment through
markings and delineation by conventions, rituals and actions of cleanliness.
What goes where, and what you can do where and when. And body's inthewrongplaceness.
Curiosities. Recipes and scientific protocols becoming mixed up. The
tradition of the Victorian amateur scientist, a tinkerer collecting,
enquiring within the home.
• Wash hands • Put on lab
coat • Put on latex gloves
• Turn on UV light of sterile hood for 15 minutes
• Turn off UV light • Wipe inside of hood surfaces with
70% ethanol • Do protocol • Remove biohazardous materials
for autoclaving and disposing • Wipe inside of hood surfaces
with 70% ethanol • Put on UV light of sterile hood
• Remove latex gloves • Remove lab coat • Wash
hands
She dreams about placing her own body within
the confines of the laboratory furniture, the casket like hood where
nothing can get in and nothing
can get out. I dream I am lying next to pigskin,
Pig alive but skin open to no interior.
I am stroking the ears closely.
Biog: Since 1997 Kira O'Reilly's
work has been exhibited widely throughout the UK and Europe. More
recently she has been invited to Australia and Hong Kong were she
performed new work at Live Wire.
In September she presented at the BioDifference conference Biennial
of Perth 2004. She has just completed being an honorary research
fellow and artist in resident at SymbioticA, the art science collaborative
research lab, School of Anatomy and Human Biology, University of
Western Australia, which was funded by a Wellcome Trust sciart research
and development award. She was concerned with exploring convergence
between contemporary biotechnical tissue culturing and traditional
lace making craft, using the materiality of skin at its cellular
level as material and metaphor.
She is currently making performative investigations of
some of the tendrils and tangents that arose during this
period of research.
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